ACADEMICAL STUDIES

2017 DOCTORAL THESIS. «Détournement: a possible reality from the artistic praxis».
Summa Cum Laude; Ph.D. with Distinction.
Ph.D. Director: Dr. Ana Arnaiz. Department of Sculpture. University of the Basque Country (UPV/EHU).

2012 MA in CONTEMPORARY HISTORY. UPV/EHU.

2010 PROFICIENCY IN ACADEMIC RESEARCH in ART, CITY AND PUBLIC SPACE. UPV/EHU.

2009 PhD PROGRAMME in RESEARCH AND CREATION IN ART. UPV/EHU.

2007 MA in TEACHING. UPV/EHU.

2005 DEGREE IN FINE ARTS. UPV/EHU and Lahti Polytechnic. Lahti, Finland.

 

COMPLEMENTARY FORMATION (SELECTION)

2014 Workshop with JUAN LUIS MORAZA: REPRESENCIALIDAD Sculpture in the Era of the Visual. BilbaoArte Foundation. Bilbao, Spain.

2014 Workshop with RICARDO CASES. Centro de Fotografía Contemporánea (CFC). Bilbao, Spain.

2012 Seminar OTEIZA AND SYNTHESIS OF ARTS. CONSTRUCTION OF AN AESTHETIC. UPV/EHU-San Telmo Museum. Donostia, Spain.

2010 Workshop with PEIO AGIRRE: CULTURAL CRITICISM AND CREATIVE WRITING. Montehermoso Cultural Center. Gasteiz, Spain.

2010 Workshop with EUGENIO DITTBORN: AEROPOSTAL DEVICE AND NOMADS MEMORIES. Arteleku. Donostia, Spain.

2009 Workshop with ISIDORO VALCÁRCEL-MEDINA: DICTATORSHIPS OF DEMOCRACIES. CONCEPT AS EXAMPLE. Arteleku. Donostia, Spain.

2009 Course ART AND CREATIVITY: NARRATIVE STRATEGIES IN CONTEMPORARY ART. UPV/EHU.

2008 Course RADICALIZE THE DEMOCRACY: LANGUAGES AND PRACTICES OF NEW SOCIAL MOVEMENTS. University Pablo de Olavide. Seville, Spain.

2007 Workshop with JORGEN LETH: COLLAPSIBLE FICTIONS. Arteleku. Donostia, Spain.

2007 Workshop with GABRIEL COBELLA: DIGITALIZATION AND EDITION THROUGH AVID SYSTEM. Arteleku. Donostia, Spain.

2007 Course DIGITAL ANIMATION WITH 3D. CEINPRO. Donostia, Spain

2005 Course EDUCATION THROUGH CINEMA. Judith Wright Centre. Brisbane, Australia.

2004 Course NEW TEMPORALITY AND NEW SPACES: BODY AND ENVIRONMENT, ART AND TECHNOLOGY. UPV/EHU.

1997/98 STUDIES IN DRAWING AND PRINTING TECHNIQUES. New York Art Students League. New York.

 

RESEARCH PROJECTS

 

2022/26 PROJECT TITLE: CREATION IN ART AND APPLIED AESTHETICS FOR CITY, LANDSCAPE AND COMMUNITY. Jorge Oteiza and the Synthesis of the Arts as Methodology for the Recognition of the Role and Use of Art Production at the End of (Post) Modernity. REFERENCE: IT 1096 UPV/EHU. Consolidated Research Group in Basque University System. Department of Education: Universities and Research, Basque Government. CATEGORY “A” BY ANEP EVALUATION (National Evaluation and Foresight Agency).

2023/25 PROJECT TITLE: COL/PARK. PARKS TO INHABIT THE COLLAPSE REFERENCE: COLAB22/03. University of Basque Country.

2016/21 PROJECT TITLE: CREATION IN ART AND APPLIED AESTHETICS FOR CITY, LANDSCAPE AND COMMUNITY. Jorge Oteiza and the Synthesis of the Arts as Methodology for the Recognition of the Role and Use of Art Production at the End of (Post) Modernity. REFERENCE: IT 1096 UPV/EHU. Consolidated Research Group in Basque University System. Department of Education: Universities and Research, Basque Government. CATEGORY “A” BY ANEP EVALUATION (National Evaluation and Foresight Agency).

2017/20 PROJECT TITLE: ART AND THE TRANSFORMATIONS OF TERRITORIAL COMMON SPACE (Aesthetic Sustainability in Stone Cutting Quarries and Waterfronts). REFERENCE: HAR2016-78241-P. Research Projects_Spanish National Plan for Scientific and Technical Research and Innovation. Ministry of Economy, Industry and Competitiveness. State Secretariat for Research, Development and Innovation. Madrid.

2013/17 PROJECT TITLE: RESEARCH IN CONTEMPORARY ART. Research Unity UPV/EHU (UFI).REFERENCE: UFI 11/38.

2013/16 PROJECT TITLE: CREATION IN ART AND APPLIED AESTHETICS FOR CITY, LANDSCAPE AND COMMUNITY. Jorge Oteiza and the Synthesis of the Arts as Methodology for the Recognition of the Role and Use of Art Production at the End of (Post) Modernity. REFERENCE: IT655-13 UPV/EHU. Consolidated Research Group in Basque University System. Department of Education: Universities and Research, Basque Government.CATEGORY “A” BY ANEP EVALUATION (National Evaluation and Foresight Agency).

2012 PROJECT TITLE: OTEIZA AND A CEMETERY PROPOSAL FOR AMETZAGAÑA. AN AESTHETIC OF MONUMENTALITY BETWEEN NATURE AND CITY. REFERENCE: EHU10/22.

 

AWARDS, GRANTS, SCOLARSHIPS AND RESIDENCIES (SELECTION)

 

2023 ABSTRACT, DISTORTION & FRAGMENTATION, Li Tang gallery. Albany, NY. Selected

2021 CONTEMPORARY LANDSCAPE, CICA Museum. Gimpo-si, Korea. Selected.

2019 PLASTIKA19, Apo’strophe. Vigo. Selected.

2018 PREMIS ARTSFAD A LA CREACIÓ ARTÍSTICA, Barcelona. Fostering Arts and Design/FAD; Barcelona Centre de Disseny/BCD. Selected.

2018 CALL FOR EXHIBITION PROJECTS, MONTEHERMOSO CULTURAL CENTER. Vitoria-Gasteiz. Selected.

2018 SUBURBIA. Artists Archive. Granada, Spain. Selected.

2017 PRODUCTION GRANT FOR ART, BASQUE GOVERMENT. Department of Education, Linguistic Politics and Culture. Vitoria-Gasteiz, Spain.

2017 ART GEMINI PRIZE, London (UK). 1st prize.

2016 PREMIO ARTE LAGUNA PRIZE, with the patronage of the Ministry of Culture of Italy and Ministry of Foreign Affairs of Italy, Cà Foscari University of Venice, among others. Venice, Italy. Selected.

2016 BILBAO ARTE FOUNDATION ART PROJECT GRANTS. VENUE SECONDMENT GRANT (Artist in Residence). Bilbao, Spain.

2016 GOIART SARIAK. Ordizia, Gipuzkoa, Spain. Selected

2015 GRANT FOR THE PROMOTION OF THE PLASTIC AND VISUAL ARTS, Etxepare Basque Institute. Donostia-San Sebastian, Spain.

2014 ASSISTANT PROFESSOR POSITION, Department of Sculpture. College of Fine Arts. UPV/EHU.

2014 CALL FOR EXHIBITION PROJECTS.CONTEMPORARY ART SPACE (EAC), Ministry of Education and Culture. National Office of Culture. Montevideo, Uruguay. Selected.

2014 PRODUCTION GRANT FOR VISUAL ART, REGIONAL COUNCIL OF BIZKAIA. Department of Culture. Bilbao, Spain.

2014 CULTURAL DISSEMINATION GRANT, BASQUE GOVERMENT. Department of Education, Linguistic Politics and Culture. Vitoria-Gasteiz, Spain.

2014 GRANT FOR THE PROMOTION OF THE PLASTIC AND VISUAL ARTS, Etxepare Basque Institute. Donostia-San Sebastian, Spain.

2014 SeeMe TAKEOVER TIMES SQUARE. New York (USA). Selected.

2014 MONTEHERMOSO CULTURAL CENTER – COLLEGE OF FINE ARTS UPV/ EHU. Gasteiz-Leioa, Spain. Selected.

2014 STOCKHOLM FRINGE FESTIVAL. Stockholm, Sweden. Selected.

2013 PRODUCTION GRANT FOR ART, BASQUE GOVERMENT. Department of Education, Linguistic Politics and Culture. Vitoria-Gasteiz, Spain.

2013 CREATIVES RISING. See | Me Exhibition Space. New York (USA). Selection of piece of work.

2013 JULIA CAMERON AWARD. The Worldwide Photography Gala Awards (WPGA), ZOOM Magazine, Professional Women Photographers (PWP). London(UK). Finalist.

2013 THE STORY OF THE CREATIVE. See | Me Exhibition Space. New York (USA). Selection of piece of work.

2013 GRAND PRIX DE LA DÉCOUVERT. The de Groot Foundation y Bibliothèque Nationale de France. Paris (France). Nominated.

2013 SEASONS. New York Center for Photographic Art (NYC4PA). New York (USA). Honorable Mention.

2013 ARTE IMPOSIBLE DE ETIQUETAR. Cervezas Alhambra. National call. Spain. 2nd prize.

2012 IPA INTERNATIONAL AWARDS. The Lucie Foundation, Los Angeles (USA). Arts. Honorable Mention.

2012 IPA INTERNATIONAL AWARDS. The Lucie Foundation, Los Angeles (USA). Culture. Honorable Mention.

2010 SCULPTURAL KNOWLEDGE: RESEARCH CONSULTANCY. Alfa Arte and Sculpture Department, UPV/EHU.

2008/12 RESEARCH TRAINING GRANT. PRE-DOCTORAL MODALITY (AE). BASQUE GOVERNMENT. Department of Education, Universities and Research. Vitoria-Gasteiz, Spain.

2007 UNIVERSITY EXTENSION OF 3rd COURSE STUDENTS. UPV/EHU-ALHÓNDIGA. Bilbao, Spain.

2004/05 ERASMUS. Young Artists Exchange Program at Lahti Polytechnic. Lahti, Finland.

2004/05 BBK GRANT for further education in the European Union. Bilbao, Spain.

 

EXHIBITIONS AND SCENOGRAPHIES (SELECTION)

 

2023 ABSTRACT, DISTORTION & FRAGMENTATION, Li Tang gallery. Albany, NY.

2023 THE EARTH WANTS TO BE SKY, Black Maritxu, Arrieta. Bizkaia

2022 SOLASTALGIA. EXPOSICIÓN EN TORNO A LAS AGRESIONES AL TERRITORIO, Espacio Tangente (Burgos), and El Hacedor, La Aldea del Portillo de Busto (Burgos). Spain.

2021 CONTEMPORARY LANDSCAPE, CICA Museum. Gimpo-si, Korea.

2019 CONTRA LA LLORADERA. Scenography. Alfonso Díez Arteagoitia (Direction), Braulio Cortés Díaz (Dramaturgy and Interpretation), Agustín Pérez de Aransolo (Musical Creation), Eduardo García (Lighting). Shows at Pabellón 6, Bilbao. Sala Ingrávida, Pontevedra. Sala Teatro Arimaktore, Barakaldo. Spain.

2019 PLASTIKA19, Museo do Mar de Galicia. Vigo, Spain.

2018 LÚCU_LÚCU ( VER_MIRAR ). Solo show at Montehermoso Cultural Centre. Vitoria-Gasteiz. Spain.

2018 PREMIS ARTSFAD. BARCELONA DESIGN WEEK. Disseny Hub. Barcelona. Spain.

2018 LANDSCAPES: FROM SILVER TO PIXEL. BilbaoArte Foundation. Bilbao. Spain.

2018 PUNKOWSKY. Scenography. Josu Angulo Anthonisen (Direction), Aitor Borobia, Naiel Ibarrola, Sara Barroeta (Interpretation), Arantza Heredia (Lighting). Shows at Pabellón 6, Bilbao. Seminarixoa, Bergara. Sala Teatro Arimaktore, Barakaldo.

2017 PECKHAM INTERNATIONAL ART FAIR. Copeland Park & Bussey Building. London (UK)

2017 PALIMPSESTO. Harriak Exhibition program, Eremuak. Bastero kulturgunea. Andoain, Gipuzkoa. Spain

2017 ART GEMINI PRIZE. Asia House. London (UK).

2017 KRESALA. Gernika-Lumo Arts Center. Gernika, Bizkaia. Spain.

2017 Ribera de Deusto y Zorrotzaurre: Ejemplo de Paisaje Urbano-Marítimo en la ría de Bilbao. COAVN-Bizkaia. Bilbao. Spain.

2016 PREMIO ARTE LAGUNA PRIZE. Arsenale, Venice. Italy.

2016 ATE IREKIAK. BilbaoArte Foundation . Bilbao. Spain.

2016 STENKA RAZIN, LA JUGLARÍA. Scenography. Braulio Cortés Díaz (Direction and Interpretation), Eduardo García (Lighting). Shows at Teatro Campos Eliseos, Bilbao. La Hacería, Bilbao. Sala Teatro Arimaktore, Barakaldo. Teatro de la Estación, Zaragoza. Teatro Lagrada, Madrid. Spain.

2016 GOIART SARIAK. Barrena Arts Center. Ordizia, Gipuzkoa. Spain.

2016 Ribera de Deusto y Zorrotzaurre: Ejemplo de Paisaje Urbano-Marítimo en la ría de Bilbao. Bizkaia Aretoa. Bilbao. Spain.

2015 SPIAGGE BIANCHE. Solo show at Espacio de Arte Contemporáneo (EAC). Montevideo. Uruguay.

2014 SCOPE ART. ART BASEL MIAMI. Miami Beach, Florida (USA)

2014 STOCKHOLM FRINGE FESTIVAL. Kulturhuset. Stockholm, Sweden.

2014 SeeMe TAKEOVER TIMES SQUARE. Billboards located at 46th St. and Broadway. New York.

2014 DESERET HARETATIK. Solo show at Bastero Culture Centre. Andoain, Gipuzkoa. Spain.

2014 SPIAGGE BIANCHE. Solo show curated by Julia Morandeira-Arrizabalaga. Ampliación del Campo de Batalla. Montehermoso Cultural Centre. Vitoria-Gasteiz. Spain.

2013 CREATIVES RISING. 42 Story Linc LIC Building. Long Island City, New York.

2013 CREATIVES RISING. See | Me Exhibition Space. Long Island City, New York.

2013 JULIA CAMERON AWARD. 3rd Photography Biennial, Málaga. Spain.

2013 THE STORY OF THE CREATIVE. Angel Orensanz Foundation, Norfolk St., New York.

2013 THE STORY OF THE CREATIVE. See | Me Exhibition Space. Long Island City, New York.

2013 SEASONS. Gallery 69. 69 Leonard Street. Tribeca, New York.

2013 ARTE IMPOSIBLE DE ETIQUETAR. Itinerant show (Sala EFTI, Madrid; Sala Setba, Barcelona; BilbaoArte, Bilbao; Escenario Santander, Santander)

2012 IPA INTERNATIONAL AWARDS. The Lucie Foundation, Los Angeles (USA)

2012 PROYECTO ART-ESENCIA: WOMEN’S ISSUES. INTERNATIONAL MAIL ART PROJECT. Centro Cultural Juan Pardo. Madrid.

2012 ENSAYO DE CONTRIBUCIÓN A UN DEBATE PARA LA MORATORIA DEL ARTE. Ariz Tower. Basauri, Bizkaia. Spain

 

PUBLISHED ARTICLES AND BOOK CHAPTERS

2023 LABORATORIO. APRENDER HACIENDO DESDE LA INCERTIDUMBRE Y LA COMPLEJIDAD. (Laboratory. Learning by Doing from Uncertainty and Complexity). In: Luceño, L., Hernández, C.G., Campos, P. (Coords.) Nuevas tendencias en innovación educativa en arquitectura, arte, moda, historia y humanidades. Madrid: Dykinson. ISBN: 978-84-1170-298-0

2021 MARKING OFF TERRITORIES. FORMAS DE PERCIBIR EL TERRITORIO. (Marking Off Territories. Forms of Perceiving Territory). In: Arnaiz, A., Laka, X. (Eds.) Sostenibilidad estética. Las artes y las transformaciones del espacio común del territorio. Bilbao: EHUPress, Universidad del País Vasco. ISBN: 978-84-1319-320-5

2020 [ WORK-IN-PROCESS ] + [ WORK-IN-PROGRESS ]. In: AUSART. Journal for Research in Art. Vol 8, n. 2. ISSN: 2340-8510

2020 FORGOTTEN FIELDS. FORM AND TERRITORY. In: Díez Gómez A., Esperesate Azpiazu I., (Eds.) Memoria(k). ISBN: 978-84-09-20179-2

2019 TENTATIVAS ÍNTIMAS COMO POTENCIALES DE SITUACIÓN [RESISTENCIAS O INFLEXIONES DE EXISTENTE] (Intimate attempts as situation potentials -resistances or inflections of existent-). In: Gonzálvez Vallés, J.E. (Ed.) Trabajos sobre la fenomenología cultural. Madrid: Pirámide (Grupo Anaya) ISBN: 978-84-368-4268-5

2019 DESERET HARETATIK. De las harenas Deseret. De aquel desierto (Deseret Haretatik: From Deseret sands. From that desert). In: Se acabó la tinta. Artes visuales (6). UTPL-Universidad Ténica Particular de Loja, Ecuador. ISSN: 2528-7974

2019 ENTRE-MEDIO, RESISTENCIA (In-between, Resistance). In: García E. (Ed.) CUICIID 2019. Congreso Universitario Internacional sobre la Comunicación en la Profesión y en la Universidad hoy: contenidos, investigación, innovación y docencia. Madrid: Historia de los Sistemas Informativos (HISIN). ISBN: 978-84-09-17043-2

2018 L´ETRANGER O LA EXTRANJERÍA DE PENSAMIENTO ANTE EL ESPACIO CONSTRUIDO (L´etranger or Foreign Thinking in Built Space). In: García E. (Ed.), La cultura como herramienta de expresión humana. Colección Herramientas Universitarias. Barcelona: Gedisa. ISBN: 978-84-17690-24-3

2018 MARGINALIA EN EL CENTRO. EXILIO IN SITU (Marginalia in the center. Exile in situ). In: López-Castrillo H., Mariblanca P.J. (Eds.), OLVIDAR / FORGETTING. Brumaria Works #9. Colección Uno. Madrid: Brumaria. ISBN: 978-84-949247-5-0

2018 MAL HABITANTE (Bad Inhabitant). In: Bilbao Larrondo L., Rubio-Ardanaz J.A. (Eds.), Paisajes – (de) – ficción. Miradas divergentes de convergencias estéticas: arquitectura, artes plásticas, escénicas, cine y pensamiento para la ciudad y el espacio trans-urbano. Cáceres: Universidad de Extremadura (UEX). ISBN: 978-84-09-07609-3

2018 AKUTAIN, Ainhoa; ARNAIZ, Ana, LEIRE MUÑOZ: PAISAJE EN PROCESO (WORK IN PROGRESS). In: ESTÚDIO, artistas sobre outras obras (24). Lisbon. ISSN: 1647-6158

2018 L´ÉTRANGÈR: INTERSTICIO ENTRE EL ESPACIO VIVIDO Y EL ESPACIO CONSTRUIDO (L´Étrangèr: Interstice between lived-in space and constructed space). In: García E. (Ed.), CUICIID 2018. Congreso Universitario Internacional sobre la Comunicación en la Profesión y en la Universidad hoy: contenidos, investigación, innovación y docencia. Madrid: Historia de los Sistemas Informativos (HISIN). ISBN: 978-84-09-04679-9

2018 LEKERIBEASKOA, Amaia, AKUTAIN, Ainhoa, RESEÑA CRÍTICA. RIBERA DE DEUSTO Y ZORROTZAURRE: EJEMPLO DE PAISAJE URBANO-MARÍTIMO EN LA RÍA DE BILBAO (Critical Review. Riverside of Deusto and Zorrotzaurre: Example of Urban-Maritime Landscape in the Estuary of Bilbao). In: Vivas, I., Lekeribeaskoa, A. (Ed.), La Ribera de Deusto y Zorrotzaurre en la Ría de Bilbao. Análisis urbano, sociocultural y estético del espacio marítimo. Bilbao: Colección Especializada Museo Marítimo. ISBN: 978-84-09-03075-0

2017 DEL NOUVELLE VAGUE AL NEW WAVE Y DESPUÉS NO WAVE. CONSIDERACIONES PÓSTUMAS. In: LAUZIRIKA, A.; RODRIGUEZ, N. (Eds.), Contra escritos sobre crítica y contracultura. Bilbao: Popurrit. ISBN: 978-84-94690-01-3

2015 LAKA, Xabier; VIVAS, Isusko; AKUTAIN, Ainhoa, DEL ARTE Y LAS ‘ECOLOGÍAS’ QUE NOS UNEN: ÉTICA Y ESTÉTICA PARA EL ENCUENTRO/DESENCUENTRO DEL `PAISAJE CULTURAL´ CON LOS VESTIGIOS DE LA ‘NATURALEZA’ ALTERADA. MÁS ALLÁ DE LA ROCA INERTE. In: Raquejo T., Parreño J.M. (Eds.), ARTE Y ECOLOGÍA. Madrid: UNED. ISBN: 978-84-362-6956-7

2014 DESDE LA EXCEPCIÓN, O CUANDO LA ESCULTURA PERDIÓ SU BARBA (From Exception. Or When Sculpture Lost Its Beard). In: Lekeribeaskoa, A., Vivas, I. (Eds.), País Vasco-Portugal: 836km de mediaciones entorno al arte. La Laguna: Sociedad Latina de Comunicación Social. ISBN: 978-8415698-70-8

2013 DESPLAZADO/DA: ENTRE EL RASTRO INFAME Y EL ARCHIVO PROSPECTIVO. LUGAR DEL ARTE Y DEL IMAGINARIO REACTIVO EN LA CONSTRUCCIÓN DEL PAISAJE URBANO (Displaced: Between Infamous Trace and Prospective Archive. Place of Art and Reactive Imaginary in Urban Landscape Construction). In: AUSART. Journal for Research in Art. Vol 1, n. 1. ISSN: 2340-8510

2013 LEFTOVER. Adjetivo: resto, sobrante, izquierdista. Sustantivo: superviviente. In: ANIAV-DEFORMA Cultura Online. ISSN: 2254-2272

2012 ESPACIO PÚBLICO: REFLEXIONES SOBRE LA PRÁCTICA CONTEMPORÁNEA DEL DÉTOURNEMENT (Public Space: Reflections on the Contemporary Practice of Detournment). In: EUSKO IKASKUNTZA, XVIII Congress of Basque Studies. Innovation for Social Sustainable Development. Astigarraga (Gipuzkoa): Eusko Ikaskuntza. ISBN: 978-84-8419-232-9

2010 ARTE ENTRE SITUACIONES (Art Between Situations). In: Bitarte: Revista cuatrimestral de Humanidades (50). Donostia-San Sebastián. ISSN: 11336110

2010 1987: RESISTANCE (ANTI-BAUDRILLARD). In: AAVV, Ikas-Art 2010. II Meeting on University Art. ISBN: 978-84-694-5148-9

 

BIBLIOGRAPHY (SELECTION)

2022 FORGOTTEN FIELDS. FORM AND TERRITORY. Proyects´ selection by Irati Irulegi. In: Abans, tot això era camp [Before, all this was field](4) ACCA_Associació Catalana de Crítica d´Art. Versión online: https://acca.cat

2022 EL ARTE NOS GENERA HERRAMIENTAS. Interview by Ander Balanzategi. In: Hor Dago. El Salto. Online version (Spanish): https://www.elsaltodiario.com/arte/el-arte-nos-genera-herramientas

2022 MODOS DE HACER: ESCULTURAS Y ESCULTORAS. Conference by Elena Mendizabal. In: San Telmo Museum. Donostia-San Sebastián. Link: https://www.youtube.com/watch?v=kbhlH5tn1fw

2021 JUST ON THE LIMIT, AN IMAGE. Interview by Alexandra Liesse. In: Metal Magazine. Barcelona, New York. Online version (Spanish): https://metalmagazine.eu/es/post/interview/ainhoa-akutain

2019 LÚCU_LÚCU (VER_MIRAR). Montehermoso Cultural Centre. Funded with the generous support from City Council of Vitoria-Gasteiz, Spain. ISBN: 978-84-95577-95-5

2018 5 MONTEHERMOSO UPV/EHU 2013-2017. Montehermoso Cultural Centre. Vitoria-Gasteiz, Spain. Coordinated by Irati Irulegi, Laura Díez, Iker Fidalgo, Araceli de la Horra. ISBN: 978-84-96845-06-0

2017 ARTGEMINI PRIZE. Asia House. London. Project led by Jimmy Lek.

2017 KRESALA. City Council of Gernika-Lumo and the University of the Basque Country/EHU.

2017 RIBERA DE DEUSTO Y ZORROTZAURRE: EJEMPLO DE PAISAJE URBANO-MARÍTIMO EN LA RÍA DE BILBAO. Basque-Navarre Association of Professional Architects (COAVN-Bizkaia) and the University of the Basque Country/EHU. Project led by Isusko Vivas. Curated by Amaia Lekeribeaskoa. ISBN: 978-84-617-7174-5

2016 ARTE LAGUNA PRIZE. Arsenale, Venecia. Italy. Curated by Igor Zanti. Sponsored by the Italian Ministry of Foreign Affairs, the Ministry of Cultural Assets and Tourism, Regione Veneto, Municipality of Venice, Cà Foscari University of Venice, European Institute of DesignIED. ISBN: 978-88-89562-50-5

2016 05. COLECCIÓN ESPACIO DE ARTE CONTEMPORÁNEO. Montevideo, Uruguay. Compilation made by Fernando Sicco. ISBN: 978-9974-36-331-1

2014 STOCKHOLM FRINGE FESTIVAL (STOFF). Kulturhuset Stadsteatern. Stockholm, Sweden. Curated by Adam Potrykus and Lina Karlmark.

2014 FOTOZITI. Bilbao Special. Project led by Ricardo Cases.

2014 DESERET HARETATIK. Funded with the generous support from Basque Goverment. Department of Education, Linguistic Politics and Culture. ISBN: 978-84-616-6900-4

2012 ENSAYO DE CONTRIBUCIÓN A UN DEBATE PARA LA MORATORIA DEL ARTE. Ariz Tower, Basauri. Bizkaia. Curated by Amaia Lekeribeaskoa and Isusko Vivas. Text by TERESA DEL VALLE, Emeritus Professor of Social Anthropology at the University of the Basque Country.

 

CONFERENCES AND TALKS

2023 SPEAKER: “Laboratory. Learning by Doing from Uncertainty and Complexity”. In: CIINECO. II International Congress. Teaching Innovation, Education and Knowledge Transfer. ciineco.org platform

2020 SPEAKER: «CONTIGO NO BITXO» CONTEMPORARY ART CONSERVATION DAYS. BilbaoArte Foundation, Bilbao.

2019 CONFERENCE MODERATOR: III SEMINAR ARTS AND TRANSFORMATIONS OF COMMON SPACE OF THE TERRITORY: Oteiza. nature-laboratory-Nature. Gandiaga Topagunea, Arantzazu (Oñati). Spain.

2019 SPEAKER: “In-between, resistance [[or inflections of existent]”. In: CUICIID 2019 CONGRESS. International University Congress on Communication in the profession and in today’s University: Contents, Research, Innovation and Teaching. Madrid.

2019 CONFERENCE MODERATOR: ZORROTZAURRE AND RIVERSIDE OF DEUSTO. TRANSFORMATION OF THE URBAN-MARITIME LANDSCAPE IN THE ESTUARY OF BILBAO. Maritime Museum, Bilbao. Spain.

2019 INVITED LECTURER: “From Possibilities”. In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2018 SPEAKER: “L´Étrangèr: Interstice between lived space and built space”. In: CUICIID 2018 CONGRESS. Concilium/Complutense Research Group in Communication; Forum XXI and History Association for Information Systems. Madrid. Spain.

2018 SPEAKER: “(Work in Process)-(Work in Progress)”. In: II SEMINAR ARTS AND TRANSFORMATIONS OF COMMON SPACE OF THE TERRITORY. TRACEABILITY IN PHYSICAL AND AESTHETIC ALTERATION OF THE LANDSCAPE. Cristina Enea Foundation, Centre for Environment Resources. Donostia-San Sebastian. Spain.

2018 SPEAKER: “Leire Muñoz: Paisaje en proceso (Work in Progress)”. In: IX CONGRESSO INTERNACIONAL CSO´2018- Criadores Sobre outras Obras. Sociedade Nacional de Belas Artes, Lisbon. Portugal.

2018 CONFERENCE MODERATOR: TEACHING, RESEARCH AND SHARED CREATIONS BETWEEN ART-ARCHITECTURE AND ITS EFFECTS. Bizkaia Aretoa, Bilbao. Spain.

2018 INVITED LECTURER: “Détournement: a possible reality from the artistic praxis”. In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2016 SPEAKER: MEETING WITH ARTISTS. BilbaoArte Foundation, Bilbao. Spain.

2016 INVITED LECTURER: “Rive Gauche”. In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2015 INVITED LECTURER: “Vagabond de l’universel”. In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2014 SPEAKER: “Tidal”. In: III Meeting of Art & Ecology: Between Aesthetic Emergency and Ecological Alarm. Bizkaia Aretoa. Bilbao, Spain.

2014 INVITED LECTURER: “Research Methodology in Art: Practical Exercise Around the Notion of Détournement”. In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2013 SPEAKER: “Displaced: Between Infamous Trace and Prospective Archive. Place of Art and Reactive Imaginary in Urban Landscape Construction”. In: ASC International Conference: Art, Science, City. Bilbao, Spain.

2013 SPEAKER: “LEFTOVER. Adjetivo: resto, sobrante, izquierdista. Sustantivo: superviviente”. In: ANIAV, EL ARTE NECESARIO. La investigación artística en un contexto de crisis. International Conference. Valencia, Spain.

2012 INVITED LECTURER: “Mallarmé and Les Poètes Maudits: Otherness Notion in Intersecting Area of Social and Aesthetic Practices”. In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2011 INVITED LECTURER: “Between Vindication and Creation. Reflections around Appropriationist Critique Practice”: In: Contributions of Sculpture to Public Space Construction: Artistic Practices (and Tactics) and Image Strategies in City. MA Research and Creation in Art. UPV-EHU.

2010 SPEAKER: “1987: Resistance (Anti-Baudrillard)”. In: Ikas-Art 2010. II Meeting of University Art. UPV/EHU, Leioa, Bizkaia.

2009 SPEAKER: “Public Space: Reflections on Contemporary Practice of Détournement”. In: EUSKO IKASKUNTZA, XVIII International Conference of Basque Studies. Innovation for Sustainable Social Progress. Vitoria-Gasteiz, Spain.

2007 INVITED SPEAKER: “Processed Experiences”. In: Inondik Inora. Signaling for an undesired journey, PhD Programme: PANORAMA 0. JOURNEY TO THE ASLEEP MEMORY. Drawing Department. UPV-EHU.

 

MANAGEMENT-ORGANIZATION COMMITTEE ON SEMINARS, CONGRESSES AND CONFERENCES

2020 IV SEMINAR ARTS AND TRANSFORMATIONS OF COMMON SPACE OF THE TERRITORY: Constructions and Destructions of Landscapes: Actions, Contradictions, and Paradoxes.. Bizkaia Aretoa. Bilbao. Spain.

2019 III SEMINAR ARTS AND TRANSFORMATIONS OF COMMON SPACE OF THE TERRITORY: Oteiza. nature-laboratory-Nature. Gandiaga Topagunea, Arantzazu (Oñati). Spain.

2018 II SEMINAR ARTS AND TRANSFORMATIONS OF COMMON SPACE OF THE TERRITORY. TRACEABILITY IN PHYSICAL AND AESTHETIC ALTERATION OF THE LANDSCAPE. International Seminar. Cristina Enea Foundation, Centre for Environment Resources. Donostia-San Sebastian. Spain.

2018 TEACHING, RESEARCH AND SHARED CREATIONS BETWEEN ART-ARCHITECTURE AND ITS EFFECTS. International Seminar. Bizkaia Aretoa, Bilbao. Spain.

2017 FICTION-CITY. SPACES, ARCHITECTURES AND URBAN AESTHETICS OF “CINEMA-LANDSCAPE”. International Seminar. BilbaoArte Foundation, Bilbao. Spain.

2017 I SEMINAR ARTS AND TRANSFORMATIONS OF COMMON SPACE OF THE TERRITORY. CREATIONS, RESEARCH AND DOCUMENTS FOR AN AESTHETIC SUSTAINABILITY OF THE LANDSCAPE. International Seminar. Oteiza Museum, Alzuza and Huarte Contemporary Art Center, Navarre. Spain.

2015 EXTENSIONS OF MEMORY: ARTISTIC EXPERIENCE AND OTHER SPACES. International Seminar. College of Fine Arts, University of the Basque Country (UPV/EHU)

2014 ART AND ECOLOGY. BETWEEN AESTHETIC EMERGENCY AND ECOLOGICAL ALARM. National Seminar. Bizkaia Aretoa, Bilbao. Spain.

2013 PRESENTATION AND STUDY OF THE POSSIBILITIES OF EXCHANGES BETWEEN GROUPS AND LINES OF RESEARCH. International Seminar. College of Fine Arts, University of the Basque Country (UPV/EHU)